LLumiqery

A reference for people who already own a deck

How to phrase a question, how the common spreads are laid out, and what the cards can and cannot do for you.

Reading and practice

Written by the site, about the practice rather than the cards.

Practice

Keeping a tarot journal that you will actually reread

What to record after a draw so that the notes are still useful to you six months later.

6 min

Getting started

Choosing a first deck without spending an evening comparing art

The two features that affect how quickly you learn, and the ones that are purely taste.

5 min

Learning

Learning 78 cards at a sensible pace

A schedule for getting familiar with the deck that does not rely on memorising a book.

7 min

Practice

Reading for yourself when you already know what you want the answer to be

How to spot the point where you stopped reading and started negotiating.

6 min

Readings to try

Readings you can sit down and work through, with the deck you have.

5 minutes
beginner

One card in the morning, held for two minutes

A single draw with no question, used to set what you pay attention to for the day.

20 minutes
beginner

Situation, obstacle, resource: a three card draw for a stuck decision

Three fixed positions for a decision you have been circling for weeks without moving.

25 minutes
intermediate

What am I not looking at: a four card draw with one face down

Four cards where the last stays hidden until you have committed to reading the first three.

30 minutes
intermediate

A five card draw for a relationship you cannot describe plainly

Five positions covering your side, their side, and the space between, without reading for the other person.

45 minutes
advanced

Seven cards for a project that has lost its shape

A longer draw for work in progress: the original reason, the drift, and what is still load bearing.

15 minutes
beginner

A weekly review with three cards and last week's notes

A short recurring draw done alongside your journal, for noticing patterns rather than answering questions.

Working through the deck

Individual cards, upright and reversed, with the suit or arcana they belong to.

Major arcana

The Hermit: withdrawal that is working, and withdrawal that is hiding

Card nine of the major arcana: deliberate solitude, slow thinking, and the point where retreat turns into avoidance.

4 min

Swords

Three of swords: the card that gets read too dramatically

A minor arcana card about grief and clear sight, and why the image is more specific than it looks.

4 min

Pentacles

Ace of pentacles: the offer that needs a decision

A suit of pentacles beginning: material opportunity, and the difference between receiving one and acting on it.

3 min

Cups

Queen of cups: attending to feeling without being run by it

A court card in cups: emotional attention as a competence, and what it looks like when it tips over.

4 min

Major arcana

The Tower: upheaval that was already structural

Card sixteen of the major arcana, read as a description of instability rather than an announcement of disaster.

5 min

Wands

Eight of wands: speed arriving from outside

A minor arcana card about momentum and messages, and what it looks like when the pace is imposed rather than chosen.

3 min

Spreads

Layouts with the job of each position spelled out.

beginner

The three card line: past, present, emerging

The standard three position layout, with wording for each position that keeps the third card from becoming a forecast.

3

intermediate

The crossroads: two options and the thing neither of them addresses

A five card layout for a choice between two courses, with a central position for what the choice is distracting you from.

5

advanced

The Celtic cross, position by position

The ten card classic, with each position stated plainly and a note on the two that usually get muddled.

10

beginner

The week ahead: seven cards and a summary card

A layout of one card per day plus an eighth for the week's overall subject, used as a set of prompts rather than a schedule.

8

beginner

Two cards: what I am doing and what I think I am doing

The smallest useful layout with two positions, for checking a stated intention against actual behaviour.

2

Questions

Does it matter which deck I use?For learning, use a deck where the numbered minor cards show a scene rather than just an arrangement of cups or coins. The illustrated scenes give you something to read before you have memorised anything. Beyond that, pick images you are willing to look at for a long time, because familiarity with your own deck does more for your reading than any particular publisher.
Do I need my own deck to start?You need access to one, and owning it helps because the practice depends on repetition with the same 78 images. There is no rule that a deck has to be given to you. Borrowing one for a few weeks to find out whether you enjoy the practice is perfectly sensible.
What is a three card spread?Three positions, one card in each, with the meaning of each position decided before you draw. Common versions are past, present, emerging, or situation, obstacle, resource. You read each card against its position, then step back and read the three together as one picture.
What does it mean when a card is reversed?It means the card landed upside down relative to you. Most readers treat it as the same theme turned inward, stalled, or pushed too far, rather than as the reverse of the upright meaning. It is optional, and many people read without reversals at all.
How long should a reading take?A one card draw takes two or three minutes. A three card spread with notes runs about fifteen. A ten card layout like the Celtic cross needs half an hour if you want to get anything out of the connections between positions.
Browse the reference

Card meanings, spread layouts and readings you can work through with the deck you already own.